With special guest Everette Harp
A message from Kirk Whalum, Grammy-winning saxophonist:
"Kafé Kirk, The Series will bring a sophisticated, groovy, jazzy, spiritually uplifting mix of musical excitement to downtown Memphis! On designated first Sundays beginning October 2018, I will invite some of my good friends — many of whom you’re already fans of, some you absolutely will become fans of — to share an intimate evening of music at the exquisite Halloran Centre next to the Orpheum. You’ll also get an exclusive look into what exactly makes these artists who they are and what motivates them. Memphis has never had a series like this!
"If you dig Jonathan Butler or Maysa, Paul Jackson, Jr., or Michael Lington, Lindsey Webster, Euge Groove, John Stoddart, Keiko Matsui, Grace Kelly, Rick Braun, Everette Harp, or you just like discovering awesome new music, you won’t want to miss Kirk Whalum Presents, Kafé Kirk, The Series — Live at the Halloran Centre!"
About Kirk Whalum
Soulful, passionate, stirring...these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980's initiation into the thriving Houston nightclub scene, Kirk’s big, rich tenor sound is unmistakably his. The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour, which led to five successful albums with Columbia Records, including Cache, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album, Joined at the Hip.
After moving to Los Angeles, Kirk became an in-demand session player for top artists like Barbara Streisand, Al Jarreau, Luther Vandross, Larry Carlton, Quincy Jones, and, most notably, Whitney Houston, amongst many others. It’s his sax heard on the mega-hit, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records, For You, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic, and much-lauded, Gospel According to Jazz series, (Chapters 1, 2, 3 and 4). In addition to his many solo projects, Kirk was also a member of the popular soul/jazz group, BWB, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar).
An ordained minister, Kirk has earned a Masters of Art in Religion. It’s in this spirit that he serves his community in various ways when his touring schedule allows. There is also his daily 15-minute podcast, Bible In Your Ear (BIYE), in which he invites you to listen along as he reads through the Bible in a year. In addition to music and ministry, Kirk has a passion to educate young, aspiring musicians and is currently engaged as a music professor at Visible Music College in his hometown of Memphis.
Kirk is the recipient of numerous awards and acknowledgments for his musical excellence including three Dove Award nominations, an NAACP Image Award nomination and has won two Stellar Awards, Gospel music’s highest honor. A 12-time Grammy nominee, Kirk won his first Grammy award (2011) for Best Gospel Song (“It’s What I Do” — featuring Lalah Hathaway) alongside lifelong friend and gifted songwriter, Jerry Peters.
In a career spanning decades, Kirk has a sound that is uniquely his; it is a sound that leaves an indelible imprint on the listener.
About Everette Harp
As the 90s progressed and smooth jazz artists began incorporating more hip-hop and classic R&B grooves into the music which came to define the genre, Everette Harp found himself ahead of the curve. Raised in church and weaned on gospel and soul music, the Houston born saxman on his first two Blue Note recordings, Everette Harp (1992) and Common Ground (1994), was already leaning this way, combining dynamic funk edges and urban textures into the mix. His popular 1997 tribute to Marvin Gaye's 1971 watershed album What's Going On combined the best of his two worlds, modern day contemporary jazz and the classic soul he grew up with. 1998's Better Days further solidified his place among the chart-toppers of smooth jazz. His most recent album, For the Love, strips away the diversions and focuses purely on Harp's ability to convey powerful emotions via lyrical playing, beautiful melodies and sensuous rhythms.